work, Tata prefers not to convey existential or political messages;
nor does she attempt to consciously express sadness or devastation.
When she begins a painting, she generally does not have a clear
idea of what she is going to paint. Instead, she allows herself
to be led by a myriad of memories and images. Once she takes the
paintbrush to canvas, the invisible hand of her subconscious begins
to create with an unmistakable and almost eerie simplicity.
Revista Cosas – Ecuador